In a garden at the party of the God Bacchus, Narciso's presence is the highlight of the party. Both gods and mortals seek his favors without getting anywhere.

Narciso is a Black orphan boy living at Carmem’s house until he is adopted. He dreams of having a family, but has had only disappointments so far. To cheer the boy up, his friend, Alexandre gifts him an old basketball, with the promise that, if he scores three baskets, a genie will appear and make his wishes come true.

1958年，巴拉圭。魅力四射的纳西索带着对摇滚的热爱从布宜诺斯艾利斯归来。在令人窒息的军事政权统治下，他成为了音乐界的轰动人物，也成为了自由的象征。然而，在他的最后一场演出之后，他被发现死亡……

Rocío Flores (Natalia Oreiro), profesora universitaria de sociología, escribe un libro sobre el narcisismo moderno. Para entender mejor a su “sujeto”, decide estudiarlo desde adentro y elige como caso a Máximo Rey (Adrián Suar), un carismático cirujano plástico. Bajo una falsa identidad, Rocío se hará pasar por una paciente interesada en un retoque estético, y de esta manera busca observar y analizar a Máximo sin ser descubierta. Pero las consultas pronto se convierten en citas donde él despliega todo su encanto. Rocío, decidida a mantener el vínculo sin caer en su juego, inventa excusas cada vez más absurdas para mantenerlo a raya. Cuando Máximo descubre que se ha enamorado de ella, “el experimento” se descontrola. ¿Podrá Rocío completar su investigación sin convertirse en víctima de su propio plan? Yo, narciso, es una comedia de enredos. La película satiriza la obsesión por la imagen, el ego masculino y los límites del deseo.

During a basketball game, Maya, a teenager with problems at home, hits her head and stops hearing the sound. At that moment, she realizes that her silence gives her the opportunity to change her reality.

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When Robin hitch-hikes to an eco village she read about online, she is seduced by a highly musical parallel universe, in which wholesome earth skills blend vertiginously with Bacchanalia and Sadomasochism. Robin falls for Jake, a brilliant but tormented handyman, and their explosive connection incites a devastating series of events that reveals the limits of human connection and the true costs of utopia.

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"Life is a latency that as time and space becomes visible as a figure. But never eat at all, there are other possible lives. Making a life is difficult, filming the impossible itself . with this imago-auto-bio-graphy is an attempt to talk about this ambiguity, where what could be is the possibility of a memory, where what was and what was not, can be remembered in the same way, . always I lived with mixing the imagined thing is chosen in this chancy; go left on the road the other films that might have emerged" -Narcisa Hirsch

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